Memory believes before knowing remembers. One of the most interesting aspects of the work is the way in which Bordo talks back to the medical establishment, as she explains the ramifications of the pathologizing of eating disorders. By making them diseases, medical professionals effectively erase the role of cultural norms and expectations in these epidemic syndromes.
Dyani and Quazzy joined forces with one goal in mind: While at Gallatin, Dyani is continuing her research on the relationship between aural and visual media, studying sound design, film scoring, film editing and production.
In her spare time, Dyani produces music and DJs at local venues. Find more of her work on her Soundcloud.
Quazzy Faffle is as much of Nicholas Herd, as a Rose is just a sweet ass name. No pregunta Quazzy para nada dos veces. Find more of his work on his Soundcloud. It is accompanied by the following poem, entitled Protest Porn.
It is a place simultaneously occupied by real and fiction; absence and presence, physical and imaginary. This idea of false memory is my starting point in response to the legacies of post-colonial identity.
Later restored, abandoned, reoccupied and again destroyed by earthquake in The Dutch rebuilt it once more and finally transferred to the British inwho immediately renamed it Ussher Fort and expanded it into a prison complex. It served as a functioning prison until The work exhibited here deals with histories of two places in the Ussher Fort Prisons: The former came together as mild imaginations of battered people; suggestive of grim dehumanized head forms.
They were drawings from charcoal and water washes, sometimes a little watercolor as well. It tells of displacement, migration and a search for a new identity although latching on to the old. This is of recent history only made possible through a systemically engineered past.
The history told from inception of the colonialist is of horror and systemic exploitation that rubbed Mores of their dignity. The second aspect of the project is a site specific installation on the grounds that served as a mosque for inmates.
The grounds are covered with construction nets as I choose to call themthat have become ubiquitous in the Accra urban cityscape. On the net covering the entire worship grounds is an installation of distorted colored casts of partial human heads. Functionally these flexible rubber nets are used to ward off construction sites where work is in progress.
However they metaphorically serve as mats on which worship takes place while the heads allude to imagined worshipers. The casts are incomplete because they represent mild memories of unknown people. Symbolically, the construction nets ward off the grounds basis of our post-colonial inherited belief systems — preparing it for reconstruction.
But underneath all this, is there a slightest chance of remembering the unknown?
Do we need to reconstruct religious belief systems woven into our post-colonial identity? Why is Ghana the most religious country in the world?
By what measure is this status arrived at? Am I a part of this religious group?Susan Bordo is Singletary Chair in the Humanities and Professor of English and Women's Studies at the University of Kentucky.
She is the author of The Male Body: A New Look at Men in Public and in Private (), and Twilight Zones: The Hidden Life of Cultural Images from Plato to O.J.
(California, ).5/5(3). This item: Unbearable Weight: Feminism, Western Culture, and the Body, Tenth Anniversary Edition by Susan Bordo Paperback $ Only 9 left in stock (more on the way). Ships from and sold by /5(20). Nov 05, · Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body.
10th Anniversary srmvision.comey: U of California P, Print.
_____ Summary: Bordo is responding at once to the mind/body dualism in the history of philosophy that treats the body as a trap or prison for the mind, while also associating women with the passive body, but she is also challenging the medical model .
Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse.
It aims to understand the nature of gender srmvision.com examines women's and men's social roles, experiences, interests, chores, and feminist politics in a variety of fields, such as anthropology and sociology, communication, media studies, .
Unbearable Weight: Feminism, Western Culture, and the Body () Bordo's Unbearable Weight presents a collection of essays that focus on the body's situatedness and construction in Western Society and offers "a cultural approach to the body". “Susan Bordo’s Unbearable Weight is a masterpiece of complex an nuanced thinking not only about a significant problem that faces women but about our culture.
A very valuable book.” -- Susan Griffin, author of The Book of the Courtesans: A Catalogue of Their Virtues ().